Patrick Belmont

Mario & Maria 02/10/25 - 14:47 info@geometry.be

image : 515
contenu : CREATION : Natalia Vallebona et Faustino Blanchut CHOREOGRAPHY AND STAGING: Natalia Vallebona DRAMATURGY : Faustino Blanchut INTERPRETATION : Faustino Blanchut - Julia Färber Data - Marianna Moccia - Florian Vuille MUSIC AND ARRANGEMENTS : Patrick Belmont PRODUCTION : Poetic Punkers Les Riches -Claires SUPPORT : Maison des Cultures de Saint-Gilles - Centre culturel de Chénéé - Cie Abbindanza Bertoni - Teatro della Tosse - Ad Lib dans le cadre des résidences ATTIC " Mario et Maria - le touriste du sentiment est une tragédie aux accents comiques ou une comédie aux accents tragiques pour 4 interprètes. Grâce à un mécanisme théâtral hypnotisant, l’œuvre raconte l’histoire d’un homme qui incarne avec sérieux et dérision, l’archétype d’une société patriarcale à travers le canon du machisme italien. Il appartient à une génération déjà obsolète et tente de retomber sur ses pieds à chaque secousse qui fait trembler les règles sculptées en lui. À son service, 3 employé·es modèles, ses alter ego, s'exécutent afin de donner vie à une introspection périlleuse. Malgré ses bonnes intentions, notre touriste du sentiment est corrompu par le pouvoir et avec la complicité du public, il joue avec Mario et Maria qui sont neutres, insensibles, pleurent sur commande, parlent en vers ou rapent en verlan, se déplacent sur la pointe des ongles des pieds et exécutent avec perfection un détartrage drastique de vos canines jaunies. Amour, Mort, Foi, Trahison : Mario et Maria entrent, sortent et jonglent avec les grandes thématiques de la vie, comme un·e touriste fait défiler les photos de sa dernière destination. "
signature : 3
collaboration :
production : 61
annee : 2024
format : 62
bandcamp :
liens_externes_0_nom : More infos
liens_externes_0_url : https://www.poeticpunkers.com/le-marin-perdu-4
liens_externes : 1

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The ranch is empty (capitale umano) 02/10/25 - 14:25 info@geometry.be

image : 508
contenu : Chorégraphie: Natalia Vallebona Mise en scène : Natalia Vallebona - Faustino Blanchut Dramaturgie : Faustino Blanchut Composition musicale : Maxime Pichon - Patrick Belmont Arrangements live : Maxime Pichon Création et interprétation : Faustino Blanchut - Éléonore Bodin - Marianna Moccia - Maxime Pichon - Alvaro Valdés / Patryk Kłos - Natalia Vallebona Production : Poetic Punkers, Partenaires : Wolubilis / Le BAMP / Compagnia Abbondanza Bertoni / LOBO Festival Toulouse / Les Noctambules Nanterre / Teatro della Tosse Gênes / Theatre 140 Bruxelles / Go - Towards /
signature : 3
collaboration :
production : 61
annee : 2020
format : 62
bandcamp :
liens_externes_0_nom : More infos
liens_externes_0_url : https://www.poeticpunkers.com/le-marin-perdu-1
liens_externes : 1

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Miss XX 02/10/25 - 13:24 info@geometry.be

image : 490
contenu : Concept and dance: Natalia Vallebona Music: by Patrick Belmont Photos: by Manuele Cinelli Partners: Taetro Akropolis,Teatro della Tosse, Centro Dialma Ruggero (Italy), Sign Six (Bruxelles). "A smile that shakes the inside, You can see a woman, another woman, any woman or maybe a man. Then a memory, a hope and a beast that I can hardly tame. Occasionally some rare trace of poetry set in a genre that drools its place. " MISS The act of "smile" captured my attention during the reseal for MissXX. Smiling is one of the most common and, at the same time, one of the most ambiguous and mysterious action that people do. Smiling brings man back to direct descent from the animal that grinds his teeth asa sign of a possible attack. Duchenne smile (spontaneous), Coquettish, Shy, Flirty, Interested, Embarrassed, Forced... Smiling is the first act of socialization and it is almost always accompanied by an internal emotional state. The "smile" is a multi-purpose expression. It can evoke sweetness or be terrifying. MissXX shows this internal emotional state during different "normal situation". MissXX is a smiling woman, she shows the secret behind her smile. XX I defined my miss "XX" because the gender is never totally clear. There are many wrong details that allow a reading of the ambiguous character. The intent is to not focus on a specific identity, but MissXX tries to be an ensamble of different identities that coexist in the same body. Miss XX shows his internal side through a very concrete body, which leads to the extreme. The constant work of production leads to a gradual depletion of the ego, a way to arrive in a fragility condition. This will be the moment where MissXX takes off her mask and people were looking at her just like a woman. In one side MissXX can be seen as an object of "evocative production", in the other side she goes throw a path of a woman lost in the maze of something, to approach a bit more to herself. "
signature : 3
collaboration :
production : 61
annee : 2016
format : 62
bandcamp :
liens_externes_0_nom : More infos
liens_externes_0_url : https://nataliavallebona.wixsite.com/poeticpunkers/project-c6hh
liens_externes : 1

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RDV Tomorrow 02/10/25 - 13:02 info@geometry.be

image : 664
contenu : Concept and choreography: Natalia Vallebona Dancers: Arazi Judith, Alexandre Bachelard, Leo Duvignon, Joseph Rioton, Roberta Racis, Silvia Pezzarossi Music : Patrick Belmont "Rdv Tomorrow are the words that people say, once untold and the once that would like to say to themself and to the world. We can find them in a sight, in a moment, in a meeting, in a silence. Sometimes, they transform themself, and then become a fear, an emotion or a feeling then disappear leaving the human being naked, exposed. Alone with his fragile beauty."
signature : 3
collaboration :
production : 61
annee : 2015
format : 67
bandcamp :
liens_externes : 1
liens_externes_0_nom : Poetic Punkers
liens_externes_0_url : https://www.poeticpunkers.com/

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After Party 02/10/25 - 12:50 info@geometry.be

image : 484
contenu : Concept and choreography: Natalia Vallebona Performers: Chloé Beillevaire, Natalia Vallebona, Laura Desideri, Judith Arazi Music Piece: Davide Ravasio Music composition + Djset Party: Patrick Belmont “After Party” is the journey of three women through a path of social, physical and psychological decadence. Each character tries to resist to her after party, where strong and authoritarian admissions slowly crumbling. The result is the exposition of a body that can no longer hide the signs of his own experience. The body becomes more fragile and lets himself slide down. Society invites to the woman to hide her own weakness, old age .... transforming herself into a plastic, artificial object , increasingly less real. After Party is a parade of beauty and sensuality gradually sucked into a decadent spiral.
signature : 3
collaboration :
production : 61
annee : 2014
format : 62
bandcamp :
liens_externes_0_nom : Natalia Vallebona
liens_externes_0_url : https://nataliavallebona.wixsite.com/poeticpunkers/projects-c77f
liens_externes_1_nom : Teaser
liens_externes_1_url : https://vimeo.com/107460788
liens_externes : 2

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